SKIN TAG explores the complexities of identity, belonging, and cultural assimilation. The piece reflects the lived experience of navigating the space between native heritage and the mainstream American identity, an experience commonly shared among children of immigrants and Filipinx-Americans. The piece aims to capture the feeling of being overlooked or unchosen. SKIN TAG challenges the labels or tags we bear, the layers of difference that shape how we see ourselves and how others see us. Through this work, I ask: How do you see the world through your eyes, and how does that differ from mine?
Self-consciousness is often seen as a developmental phase—something we go through, learn from, and ideally grow beyond. But for many Filipinx-Americans, the feeling of not fitting in and existing outside the cultural norms can persist well into adulthood. The questions—How am I seen? What they think of me? Do I really belong here? —are constant, shaping our interactions and often defining how we navigate both Filipinx and American spaces. We may find ourselves adjusting to blend into predominantly white or mainstream American environments, compensating for the perceived differences that come with our cultural background. In these spaces, we put on these masks that allow us to function and feel accepted, hoping to avoid the sting of being "othered." Yet, no matter how well we assimilate, there’s always the nagging feeling that we are never fully seen for who we truly are.
This internal tension often leads us to believe that our difference — the way we look, the food, the cultural practices — becomes the first thing people notice. It’s a label others assign to us, and it can feel like the thing they remember most. Sometimes, this is true. But often, it’s not. The real struggle lies in the fact that we can never be sure. Once we internalize the judgments of others, we shift from thinking about ourselves to imagining how we are perceived in those moments. This shift makes self-consciousness a form of self-sabotage, because now we see our difference before anyone else does. Our identity becomes a burden, a tag or label that others may or may not even notice. We can feel as though we’re constantly carrying the weight of two worlds — straddling the Filipinx and American identities, always aware that we may have to think harder to navigate spaces where others simply exist without the same burden.
I hope to create a space where we can confront these layers of difference and begin to shed them, allowing us to find a more authentic and unburdened sense of self that isn’t defined by how we’re seen but by who we are.
Adie San Diego, Choreographer
Dedication
I dedicate this piece to the children of immigrants, BIPOC communities, those who have lost their lives to hate and prejudice, those who still face it every day of their lives, and to my beloved Filipinx-American community.
Thank you to CalArts and the School of Dance for providing the space and support to create this piece.
Thank you to those who generously donated and supported my project. Thank you for believing in the power of arts and for prioritizing the care of dance artists.
A heartfelt thank you to my incredibly talented and inspiring cast and team of artists whose passion, creativity, and dedication brought this vision to life. This show would not have been possible without each and every one of you.
I give my deepest gratitude to my family for their unwavering love and support throughout my life. Without their strength, encouragement, and belief in me, there would be no story to tell. This journey is as much theirs as it is mine.
Cast
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*The movement was established through a collaborative effort with the dancers.
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Bella Allen
Dancer, Choreographic Assistant
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Chloe Madding
Dancer, Choreographic Assistant, BFA ‘24
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Chloe Rauch
Dancer, BFA ‘25
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Madison Lievrouw
Dancer, BFA ‘27
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Angelia Connors
Dancer, BFA ‘27
Design Team
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Friidom Dunn
Producer
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Grace Dashnaw
Sound Designer
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Jackson Funke
Lighting Designer
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Cathleen Conte-Marrero
Lighting Assistant
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Odessa Newman
Costume Designer
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Ingrid Tai
Graphic Designer
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Savanna Gonzalez
Stage Manager
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Christian Sangalang
Scenic Designer
Thesis Committee
Matt Lemp
Rosanna Gamson
Julie Bour
Dimitri Chamblas
Alex Sloane
Matthew DeVecchis
Technical Directors
TJ Marchbank
Matthew DeVecchis
Research Mentor
Sam Crawford
Special Thanks
Drew Gebhardt
Katerina Kiagia
Nastia Yavorski
Bryn Bohanan
AJ Storey
Christian Carlos
Piper Glynn
Marisa Cisneros
Isabella Ravelo
Astrid Liang
Sergio Fitzpatrick
Noelani Van Loon
Jayden Coulson
Twan Harrison
Huitong Li
Donors
Angel Gallego
Nicholas Croft
Audrey Tibay
Alex Grant
Henry Ives
Sean Catangui
Rosie Ramelb
Kathlyn Kagahastian
Maree ReMalia
Sergey Kochergan
Stephanie Perez
Sophia Greenwood
Hannah Andrews
Bryan Sanchez
Alberto Catangui
JB Sacman
Liesl Miranda
Scott Heist
Peter Hager
Jinah Chon
Catherine Brown
Mitchell Nacion
Kyrene Kagahastian
Kerrie Burg
Gerard Paredes
Vanessa Carino
Autumn Rauch
Melissa Madding
Immaculate Sangalang
Mike & Lulu Miranda
Tony Encarnacion
Genevieve Cecile
Andrew Perez
Harel Alipio
Abby Rivera
Brittany Nettles
Jessie Ferguson
Milani Saldon
Casie Santos
Rainier Sangalang
Donald Heist
Peter Lorenzen
Annetta San Diego
Enely Algarme
Robert & Mary June Sangalang
Jeff & Vina San Diego
There will be a post show reception on Friday, November 15th in the Main Lobby.
Join us in celebrating with some light Filipino fare.
Land Acknowledgement
The CalArts main campus sits on the unceded ancestral lands of the Chaguayavitam, the people of Chaguayanga, whose present-day descendants are citizens of the Fernandeño Tataviam Band of Mission Indians. They have been here for millennia and will forever call this place home.